Four blends and two rituals beyond coffee. Every one of them leaves the roastery in the same object: a rigid matte black tube, closed with a lift-off lid, printed from foot to crown.
Nothing on it is ornament. Every mark is either the brand or the blend: the figure, the frequency, the name, the signature block at the base.
Four coffees named for states, joined by matcha and cacao. The tube is constant — what changes is the figure, the frequency and the name.
Each blend carries its own Chladni figure — the signature of its frequency. Four blends, four figures, one hand.
On a shelf no two tubes read alike, and all of them read as one family. The figure is printed at full scale across the body, so the object is recognised before the name is.

Print runs over the lift-off lid and continues onto the body. Closed, the tube reads as one printed volume — the seam is the only interruption.

A matte panel opens in the figure and holds the only text on the body: the frequency in small tracked capitals, the blend name under it. Nothing else is allowed into the band.

Grain, density, and the dark between the rings. Printed large enough that the structure is legible at arm's length and the texture is legible in the hand.

The signature block sits at the foot of the object — where the hand holds it, and where it stays visible when the tube stands on a bar.
Samples ship from our roastery in Bali. Tell us the format you pour and we will send the blends that fit it.
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